Recreational research into Feudal Japan
Element of the Week: Tomoe
This week, we look at another religious symbol that’s a mite less controversial. The tomoe (巴) is a comma- or swirl-shaped design with a variety of possible origins. It resembles ancient Japanese curved jewels (such as the jewel that serves as one of the three Japanese imperial regalia).(en.wp:Tomoe) Other possible origins associate it with a wrist guard (tomo/鞆) used by archers, Chinese snake depictions and the ying-yang symbol. Although dating to the Nara period (710–794), it only became widely used in the tenth or eleventh century, but at that point it became immensely popular, becoming the second-most-popular motif for family mon by the start of the Edo period (1600). Whatever its origin, it developed additional meanings: its resemblance to a whirlpool caused it to be used to protect buildings from leaks, and it later developed general religious connotations and became specifically associated with Hachiman, Shintō god of war.(Dower:145–146)
Here are three tomoe crests, each using three tomoe, the most popular number. From left to right, a crest used by Maeda Toshiie at the Siege of Suemori in 1584,(SH:F4) one used by Kobayakawa Takakage at the Battle of Pyokje, Korea in 1593,(SH:60) and one used by Itakura Shigemasa at Shimabara in 1638.(SH:J9)
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Mon of the Week: Bell
August 24, 2010 - 2:11 am
Tags: bell, Edo period, longevity, Ōsaka, provincial
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Today we look at another mon from the same collection of provincial samurai mon from the 15th century.(KJ:7) Today’s mon uses an enclosure that didn’t become a common element in Japanese mon despite its simplicity and elegance. The enclosing shape appears to be a bell. Bells were associated with Buddhist temples, which used large bells [...]
Element of the Week: Carriage Wheel
August 1, 2010 - 1:04 pm
Tags: Buddhism, Genji, Heian period, Momoyama period, Sakakibara Yasumasa, samurai
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Today we talk about the carriage wheel motif. This design is associated with The Tale of Genji, a Heian-period classic of Japanese literature, and it’s popularity as a motif dates to the latter part of Heian period (794–1185).(Dower:130) It may have also developed some religious associations due to its similarity to the Buddhist wheel of [...]
Element of the Week: Swastika
July 19, 2010 - 1:09 am
Tags: Hachisuka Iemasa, Nara period, Sengoku period, Shimabara Rebellion, swastika, Tsugaru Nobuhira
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Today we discuss a controversial mon element (and one you definitely cannot use in the SCA): the swastika. The swastika (卍 or 万字/manji), among many other symbolic uses, has always represented Buddhism in Japan, a use that dates back to the 5th century BCE in India. In Buddhism, the swastika represents dharma, harmony, and the [...]
Period Award Scrolls
July 9, 2010 - 3:53 pm
Tags: Nara period, Nihon Shoki, SCA, Shōtoku
Posted in Literature | No comments
Just a quick one this week, since I’m off to the war. I was looking through translated excerpts of the Nihon Shoki(SoTJ:48), and I came across some imperial edicts very similar in style to the award scrolls used in the modern Society for Creative Anachronism. Since the Nihon Shoki, as an early Nara period work, [...]
Mon of the Week: Natagama
July 4, 2010 - 9:54 pm
Tags: Edo period, nata, natagama, Ōno Harufusa, Ōsaka, Sengoku period
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Here we have an interesting mon. Unlike many of the mon we’ve discussed recently, this mon has died out, and is no longer in use. In fact, finding information about this mon at all is quite challenging! It was used by Ōno Harufusa in the Battle of Ōsaka.(SH:62) What do you think it is? My [...]
Element of the Week: Chestnuts, Rhombi, and Caltrops
June 28, 2010 - 12:24 am
Tags: diamond, Edo period, Ogasawara Tadazane
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This week we have a simple element that has some interesting characteristics. Hishi (菱) can be translated as the rhombus/diamond shape, a type of water chestnut, or as a caltrop (the weapon). In mon, it is depicted as a geometrical rhombus. This is the same element used in the logo for the Mitsubishi corporation, which [...]
Motif of the Week: Folding Fans
June 14, 2010 - 12:00 am
Tags: Edo period, fans, Heian period, samurai, tengu
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A while back we talked about one type of fan used in mon, but the type of fan everyone associates with Japan is the standard folding fan. This was a very popular motif in mon through the centuries. Its origins as a design motif date to the Heian period (794–1185).(Dower:110) Here are two folding fans [...]
Mon of the Week: Ladder
June 7, 2010 - 12:52 am
Tags: Edo period, ladder, samurai, Sengoku period
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As time progressed, the daimyō gained power, and the samurai class came into its own in the Sengoku Period, mon became more universally used for identification among samurai, and the variety of mon used increased. While other forms of identification heraldry were used, including a wide variety of giant objects on poles, mon had the [...]
On the Origin of Mon
April 26, 2010 - 12:11 am
Tags: Heian period, shadowed, stars
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So, where did mon come from? While they’re often thought of as being used for battlefield identification, they didn’t start out that way. The first evidence of what became mon dates back to the Heian period (794–1185), when distinctive designs, some of which derive from Nara period (710–794) fabric patterns, were used by the Japanese [...]
Names and Variation
April 5, 2010 - 12:40 am
Tags: bellflowers, circles, Edo period, enclosures, Inaba, kanji, Momoyama period, squares
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Unlike English heraldry, which had an ornate system for describing heraldic devices that became divorced from the normal language, Japanese mon are named using simple phrases using reasonably standard Japanese for the time.1 The mon is named as its primary element, possibly prefixed with modifiers indicating its count, enclosure, style, or other characteristics. In some [...]



