Recreational research into Feudal Japan
Element of the Week: Tomoe
This week, we look at another religious symbol that’s a mite less controversial. The tomoe (巴) is a comma- or swirl-shaped design with a variety of possible origins. It resembles ancient Japanese curved jewels (such as the jewel that serves as one of the three Japanese imperial regalia).(en.wp:Tomoe) Other possible origins associate it with a wrist guard (tomo/鞆) used by archers, Chinese snake depictions and the ying-yang symbol. Although dating to the Nara period (710–794), it only became widely used in the tenth or eleventh century, but at that point it became immensely popular, becoming the second-most-popular motif for family mon by the start of the Edo period (1600). Whatever its origin, it developed additional meanings: its resemblance to a whirlpool caused it to be used to protect buildings from leaks, and it later developed general religious connotations and became specifically associated with Hachiman, Shintō god of war.(Dower:145–146)
Here are three tomoe crests, each using three tomoe, the most popular number. From left to right, a crest used by Maeda Toshiie at the Siege of Suemori in 1584,(SH:F4) one used by Kobayakawa Takakage at the Battle of Pyokje, Korea in 1593,(SH:60) and one used by Itakura Shigemasa at Shimabara in 1638.(SH:J9)
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Link: Wax-resist Dyeing
June 2, 2011 - 12:21 am
Tags: dyeing, kimono, Nara period, rōketsuzome
Posted in Crafts | No comments
I just found a cool description of Japanese wax resist (“batik”) dyeing (rōketsuzome/ろうけつ染め) at Blue Lotus. This way of adding a design to cloth goes back to the Nara period (710–794)(ja.wp:ろうけつ染め) and is one technique that was used to put designs such as mon on kimono. This is something I’ve been wanting to experiment with [...]
On Kissing
November 22, 2010 - 12:27 am
Tags: Edo period, fish, Heian period, Muromachi period, seppun, Tosa
Posted in Classical Japanese, Literature | No comments
Once, many years ago, I read the following in Shinjū, by Laura Joh Rowland, a mystery novel set in Edo Japan. But he’d never tried seppun, the exotic practice of touching mouths that had been introduced to Japan by the banished foreign barbarians. (p. 123) Being naturally a trusting sort, I took this at face [...]
On Netsuke
October 17, 2010 - 2:01 pm
Tags: Edo period, netsuke, obi
Posted in Crafts | No comments
One area of Japanese art popular with collectors are netsuke. The ones you see in museums are from the Edo period (1603–1868) and are intricately-carved ping pong ball-sized wood or ivory toggles. These would have a cord attached and be used to hang a pouch or a small often-decorated box called an inrō from one’s [...]
Element of the Week: Feathers
September 27, 2010 - 1:13 am
Tags: falconry, feathers, hawks, Heian period, Muromachi period, provincial, samurai
Posted in Mon | No comments
Today we look at a straightforward motif in mon: feathers. Generally described as hawk’s feathers (or, depending on translation, falcon’s feathers), they are graphically simple and have flexibility in number and arrangement. They have a military connotation, both from hawks being hunting birds and from the tradition of fletching arrows with feathers from birds of [...]
Mon of the Week: Bell
August 24, 2010 - 2:11 am
Tags: bell, Edo period, longevity, Ōsaka, provincial
Posted in Mon | No comments
Today we look at another mon from the same collection of provincial samurai mon from the 15th century.(KJ:7) Today’s mon uses an enclosure that didn’t become a common element in Japanese mon despite its simplicity and elegance. The enclosing shape appears to be a bell. Bells were associated with Buddhist temples, which used large bells [...]
Element of the Week: Carriage Wheel
August 1, 2010 - 1:04 pm
Tags: Azuchi-Momoyama period, Buddhism, Genji, Heian period, Sakakibara Yasumasa, samurai
Posted in Mon | No comments
Today we talk about the carriage wheel motif. This design is associated with The Tale of Genji, a Heian-period classic of Japanese literature, and it’s popularity as a motif dates to the latter part of Heian period (794–1185).(Dower:130) It may have also developed some religious associations due to its similarity to the Buddhist wheel of [...]
Element of the Week: Swastika
July 19, 2010 - 1:09 am
Tags: Hachisuka Iemasa, Nara period, Sengoku period, Shimabara Rebellion, swastika, Tsugaru Nobuhira
Posted in Mon | No comments
Today we discuss a controversial mon element (and one you definitely cannot use in the SCA): the swastika. The swastika (卍 or 万字/manji), among many other symbolic uses, has always represented Buddhism in Japan, a use that dates back to the 5th century BCE in India. In Buddhism, the swastika represents dharma, harmony, and the [...]
Period Award Scrolls
July 9, 2010 - 3:53 pm
Tags: Nara period, Nihon Shoki, SCA, Shōtoku
Posted in Literature | No comments
Just a quick one this week, since I’m off to the war. I was looking through translated excerpts of the Nihon Shoki(SoTJ:48), and I came across some imperial edicts very similar in style to the award scrolls used in the modern Society for Creative Anachronism. Since the Nihon Shoki, as an early Nara period work, [...]
Mon of the Week: Natagama
July 4, 2010 - 9:54 pm
Tags: Edo period, nata, natagama, Ōno Harufusa, Ōsaka, Sengoku period
Posted in Mon | No comments
Here we have an interesting mon. Unlike many of the mon we’ve discussed recently, this mon has died out, and is no longer in use. In fact, finding information about this mon at all is quite challenging! It was used by Ōno Harufusa in the Battle of Ōsaka.(SH:62) What do you think it is? My [...]
Element of the Week: Chestnuts, Rhombi, and Caltrops
June 28, 2010 - 12:24 am
Tags: diamond, Edo period, Ogasawara Tadazane
Posted in Mon | 1 comment
This week we have a simple element that has some interesting characteristics. Hishi (菱) can be translated as the rhombus/diamond shape, a type of water chestnut, or as a caltrop (the weapon). In mon, it is depicted as a geometrical rhombus. This is the same element used in the logo for the Mitsubishi corporation, which [...]



